Transfer-pricing aggregation of distinct support-service and subcontract transactions was rejected, while debt-free receivables attracted no notional ...
Customs exemptions cover photovoltaic assembly machinery and PVF backsheets, while fully declared cleared imports may avoid confiscation and penalties...
Specific tariff classification for LCD devices overrides treatment as electricity-meter parts, defeating differential duty, extended limitation, and p...
Stayed disciplinary punishment does not establish unfitness for insolvency professional registration; reconsideration must disregard mere pendency of ...
Indirect corporate control can create related-party status, excluding financial creditors from Committee of Creditors representation, participation an...
Scientific research association approval requires continuing SIRO status, annual donation reporting, and donor certificates for the approved foundatio...
Scientific research institution approval is conditional on SIRO recognition, annual donation reporting, donor certification, and prescribed compliance...
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The case pertains to the prohibition on import and confiscation of seven drawings by renowned artists under Customs Notification No. 1/1964, deeming them obscene. The court held that the ability to communicate ideas through art is a legitimate human endeavour and cannot be controlled based on acceptability to authorities. Vesting obscenity determination powers in customs authorities risks arbitrary state behaviour imperilling fundamental freedoms. The impugned order ignored relevant considerations like expert opinions, artistic value, contemporary standards, and legal precedents, relying instead on individualized morality standards, personal prejudices, and frivolous grounds. Relegating the petitioner to departmental appeals risked destruction of the valuable artworks. The impugned order was set aside, and the petition was allowed, upholding artistic expression and freedom of speech.
The case pertains to the prohibition on import and confiscation of seven drawings by renowned artists under Customs Notification No. 1/1964, deeming them obscene. The court held that the ability to communicate ideas through art is a legitimate human endeavour and cannot be controlled based on acceptability to authorities. Vesting obscenity determination powers in customs authorities risks arbitrary state behaviour imperilling fundamental freedoms. The impugned order ignored relevant considerations like expert opinions, artistic value, contemporary standards, and legal precedents, relying instead on individualized morality standards, personal prejudices, and frivolous grounds. Relegating the petitioner to departmental appeals risked destruction of the valuable artworks. The impugned order was set aside, and the petition was allowed, upholding artistic expression and freedom of speech.
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